The most interesting bit of the article is the mention of the poetic form The Sestina which is so structured in terms of the words ending each line that I imagine it must be hard to get anything across in such a poem other than your technical prowess. Despite this I'm tempted to have a go but 39 lines is a lot of work isn't it? The order of the last words of each stanza can be analogised to kneading bread in that each outer word in a triplet is folded into the middle though I can't be bothered to understand it exactly - the list of numbers is enough for me to get the message. I just looked up Iambic pentameter because I have no real idea of what it means exactly but reading how the various subtleties of its use can be employed to slow down the pace I'm a bit bewildered. In reality poets just put down what they think sounds good and of course it always important to say it out loud. I think I used to know all this but like blossom in the spring showers it has all vanished and decayed, just seasoning on the compost heap.
I'm actually in the middle of a proper poem though it doesn't rhyme or anything sissy like that. Unfortunately I'm thinking of entering it into a local competition and it cannot have been available anywhere even if that is a quiet backwater of the interwebs visited only by email-scanning robots and the occasional person looking at that cartoon of Sylvia Plath. Just like the photo for the Iron Men competition, it will be available later.
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