The desk here has a high board in sight line, on the top of which is a lockable cupboard with a hinge-and-slide door. It has a number of developer-type books inside it along with a calculator (who still uses a calculator?), a dirty mug and various un-sorted piles of white paper. To the left of the desk, creating a second wall, there is a metal filing cabinet, which allows me, at last, to put up a bit of the magnetic poetry set which has remained unused since the move from building 2 to building 52. I cannot find the tile with the word ‘Nigellike’, which we made up with the transfer set provided. The word is used in the poem in this post that we made up on the old filing cabinet. Today, the first line of the poem on the cabinet is ‘The delicate language shadowing their music.’ because this is all the words, I have lifted from the box so far. There are a number of photos stuck to the metal as well. There is one black-and-white one of a standing stone at Callanish and a photo of a collage I did which combines the drawing of Sylvia Plath from the cover of Collected poems with a page from the Codex Mendosa. There is also this strip cartoon. The desk itself is just a mess with various bits of technology. I have one computer but use two screens most of the time, which is an advance of having to print things out and match electronic and paper versions of the current operation. To the right of the desk, there is a row of offices, usually empty, which have glass on both sides with blinds. The view from these offices is of the main road outside the site with fields beyond. This is a change from the sixteen years I spent with a brick wall as the view from my office window. One floor up from that and I would have been able to see the welsh mountains.
Try 2.
“Oh! That was too fast!” she says angrily. Immediately she worries that she has been heard but it is too late to fret for long; there are other things worth worrying about in this world. She thinks about the sky for a while, the detail tonight is unusual, something for which she cannot find words, though the internal impression is enough to not need translation into language. The clouds boil and roil on a single plain, caught by the low sun and she feels like some tiny organism held in check under the surface of a shallow puddle, watching the oil on the surface. And of all this, mostly it is not seen; we all go around with our eyes on our feet or the ground in front of us, not seeing the clouds and the sky and all that is above the horizontal. It takes space-bound men and women to see the possibilities, the chance of traveling up to those clouds, so stir them around with a ballet of technology as you whistle through.
The colours range, building in depth from the pink-tinged grey at the start, through the deep reds of sunset and on to the subtle contours of twilight. With few cars, they have the road to themselves, a mile-long stretch of rapidly vanishing tarmac, radiating the heat of the day back to them. To the right, straggly bunches of thorn have given way to sparse woodland with promise of full-blown fairy-tale forests in a few hundred metres. There is some drizzle though she cannot tell when it started; it has been gradual and maybe it has been there all day. Her clothes are not damp and rain feels the right thing for now. I cannot leave all this she thinks. So much to see and do here and I’ll be homesick, planning my escape back to dad and that lovely calm in the house when we read. She thinks of the low music in the background and the fires and the books and records that occupy most of the space in their house. I would learn more there I think. They want to teach me things rather than teach me how to learn. What dates, what maths? It’s all rubbish. I want to sit and learn and write and be happy. Sending me away will do nothing but make me sadder than I am now. So badly is she worried by the future that she begins to feel herself starting to cry, tears on the edge of bursting their surface tension. She thinks of other things, neutral things, Cricket and the Fibonacci sequence. I must look that up she thinks again. This is all she thinks. Maybe I could write this without the instructions. Plays are so much easier to detail; you give some meta-instructions at the beginning and the make-up artist and scene-makers do the rest for you. So much to think about! I will steal some of dad’s records, he has so many, that a few will be Ok. With this she is happier, thinking of the cosy smells of home seeped into the cardboard of the sleeves of these vinyl gems. She is the Vinyl freak, made happy and real by old blues and growly voices from across the water. I ran into her sometimes, her with her coloured hair and laconic replies to my obviously pointless questions. I wrote her poems occasionally, and she curled her lip at them, missing the point possibly. Oh poetry! She thinks. I wish someone would write some to me. Quite the little feminist she often thinks she is but doors opened and little kindnesses secretly thrill her behind the snarl and taciturnity she puts on to mix with the others of her type and accent. Cooly she has turned down so many casual requests for drinks and back she is alone with her dad’s records or walking out taking photographs for her art. She loves nobody outside her small family.
Listening to Best of Yes. Yes! Yes! Yes! I was actually looking for some Vangelis after my daughter chose Chariots of Fire as her going to sleep music last night but I must have deleted Soil Festivities. This is good enough for the moment.
I have recently had to start using c# instead of vb which has required some ancient area of my brain to start working again. However, there is one bit of c# about which I am happy. It is the increment construct, i.e. integerValue++. It just seems so elegant and right rather than all that mucking about in hyperspace … er …. with integerValue = integerValue + 1. I feel that maybe I should do all my programming in c# from now on, not just the web stuff but windows apps as well. I don’t suppose there is much of an efficiency gain; I just don’t know enough about the deep stuff of compilers to say whether there is any real difference in the processing. Anything you can do in VB you can do in c# so its just a case of what you know and like. C always seems like Zen compared to the western philosophy of VB. Then again, humans always either destroy what they don’t know or give it an undeserved air of mystery. I am sure that after 1000 days, the rarified and spiritual atmosphere of a Tibetan monastery can get a bit mundane. I remember once writing about the idea of staying in a different house every night of your life just to get over the boredom of real-life. This leads me on to something which isn’t quite bathos because bathos is an unintentional lapse into the mundane from the midst of something higher while this is meant. (You can dispute whether the previous stuff is higher discussion later). The family in the Giles cartoons never lived in the same house twice. The punch line of each cartoon was always different but why have a different house each time. I suppose, it would have got boring for both artists and reader the settings were familiar. That is the beauty of Giles, the initial joke (sometimes good – sometimes very poor) was one thing but the real joy was in the depth of the background, the detail in the shops, the impending accidents usually initiated by the hairy friend of the family children. There was always the book that Vera’s husband was reading, the fact that the youngest girl was always acting like mother in training. And of course there was Grandma who must have really been some Central American dictator on the run from justice.
Many strange dreams recently. One about following a car which I knew to have bombs in though the occupants calmly stopped when asked, drove the vehicle to a safe place where they left it and stood around waiting. Maybe it’s not that strange then.
Does this preclude the existence of children full stop? I was looking for the child-catcher when I read it.
The building here is one street back from the Liver Building. The architect also designed the Old Scotland Yard building, which you can see is true if you can be bothered to do a search for it; I can’t, which pretty well sums up how I feel about today. An incident in the night led to three quarters of the family being downstairs at Midnight watching Dan Cruickshank on UK TV History. He has exactly the sort of friendly voice that Kate Bush mentions talking about stupid things on The Ninth Wave. She used the shipping forecast as the backing for that line but Dan the man would have been just as good and probably a darn sight more interesting. I am sure he would have known about the Old Scotland Yard building as well. Anyway, the incident is over with and everything is back to normal. This is what comes of finishing Harry Potter 6 just before you put the light out. I told you it was <<<<<<<< …….s.d.d .d.d.s.s .s.s……4646&&&……





















