Friday, December 26, 2008

Psst! Anybody Wanna Buy Some Lead?



Boxing Day is supposed to be a time for recovering from the excesses of the previous day. At Lunchtime today, indeed only a few minutes ago I was spreadeagled on the roof of the church behind us praying (as strongly as is ever possible when you are on the roof of the church in an unauthorised manner) that the corrugated iron was actually fixed to something more solid underneath. It's alright readers, I was there for what might be considered semi-legitimate reasons. A neighbour received a pair of battling Apache Helicopters for Christmas and one had managed to escape from his back garden across the road, fly vertically up over his house and our house to land on said place of worship. He was most upset that I laughed when he came to the door to ask for assistance. My first solution was a long piece of string with a toy back hoe attached but on the second throw this caught in the guttering and I had to use our ladder to climb down into the Church grounds, and then climb up to the roof. In best SAS style I crawled up the sloping roof to the helicopter and retrieved it. I am injured but this was actually caused in the post-retrieval celebrations - I cut my finger on the foil of a chocolate coin.

All this and still a week off.

Thursday, December 25, 2008

I Legged It; I Claim My Pie!



Not wanting to Sully the Crush it will of course be a short entry today. Doctor Who was of course unmissable and as usual silenced all in our house for an hour. We all knew that it was not the next doctor didn't we? Steam Punk - I love it. A nap on the sofa after dinner is allowed as well and then home to a bottle of Old Speckled Hen at perfect temperature. My present is the best in years and the first result is the picture up there - still on auto as I am slightly in awe of all the strange buttons, dials and flashing lights. More of course, later.

Merry Christmas to all.

(I will not check my email - I will not check my email).

Wednesday, December 24, 2008

Evie's Stream of Consciousness



... how many full stops should an ellipsis have? More's the point, does it take an article like that? Not sure it's really that important in these days of failing economies or even in any time since ellipsis was invented. Shows how much I just don't know about things I should know about. Too fast again ... Evie's unhappy and possessive like a jealous owl with nothing better to do but wait for tomorrow. It seems to be snowing indoors - just a hint of snow against things of correct contrast but unusually there is some sun outside - not right at all for Christmas Eve. Christmas Evie even. That may be a pun but it's certainly not a joke. In fact it looks a bit like spring with what appear to be a few light-green spears on the small trees at the back of the car park. Thought for a second I'd started this whole paragraph without using the letter 'e' but that would be complete coincidence. One of the cars out there rolled away this morning, driver forgot to put his hand brake on and it rode up onto the grass verge after bumping up the kerb. usually it's just the lights left on but how embarrassing is that? Can you imagine if there were no hypothetical questions ... or ellipsis ... or drums. I love drums. I want them loud and deep, set at the resonant frequency of my internal organs, pounding out some future failure is a physiological system of which I am not aware. Like electroacoustics used as a weapon. All we wanted was a sound that could kill someone from a distance. So they buried it. The whole hour and more is what you want - a tracing of all my memories over the years since I could first string two ides together. What was thinking like when I was a baby, gurgling and sweet and pretty all those years ago? I cannot remember and it is so sad. So what are my first memories - I remember being in that garden full of children all sisters and their ducks - they gave me a duck egg and I had it at home for tea the next day - too strong - Ulla - Una - Sophie - all sensible, everyday names and pretty with them. Nothing to worry about between the remembered events of those days but that gives me no clue as to how I thought. It all just fell about - sometimes words - sometimes just pictures and sometimes smells and tastes. I don't remember being a child - I thought then like I think now - there is no difference between the child and the adult. Evie thinks the same at 3 as she thinks at 37 as she thinks at 95. I never change the way I think though I seem to like changing tenses. What if I was Chinese and had no tenses to change into. How do you write an experimental Chinese novel - maybe you write it in Chinese - translate it and set the tenses then change it back - invisible idiot you might get. The world ends and we all go down with it. Still an hour to go. Stick that in your provincial pipe and smoke it. Pyroclastic flowers. Dry biology down the sides of mountains. My own flow has been interrupted for the nicest of reasons. Using nice again. Who can I talk to inside my head. I will make up Mary's Stream of Consciousness - I always spell that wrong but the computer helps me - Anyway Mary is much more structured.

I certainly am! You won't catch me making up rubbish just to fill up what promises to be the last lunchtime session. I am thinking about serious things. That fractal up there was created by a proper specced-out version of the generator - I would like to link it to the Steve Reich Simulator but as I didn't actually write that or the the Fractal Machine, it will not be possible. You are three down in the stack and the only one of us who can actually create anything is Rogier all the way up there in the real world. The title was his idea as well. I'm not sure I like being the creation of a creation and I already know that I'm usually only one down in the stack. Evie seems like a usurper but as I'm already a creation I can only get jealous if Rogier tells Evie and Evie tell me. Tells? The stack is not created by "telling" - it is a psychological levelling deep within the grey-matter of whoever is the real person in this mess of thoughts. I was toying with making up someone below me - a lover or something like that but the word from above is that that is no real experience of women around so I'd better stick to science and rational things. Love is never rational even if it is just the physical manifestation of a chemical imbalance created by the psychological mess that is the mind and brain. Actually those three levels suggest the three levels in this stack. Rogier is the rational one up at the top who creates a chemical soup which is Evie who turns that into my thoughts deep down where all the bits and bytes turn into that black spider scrawl on the screen. Still with me? I like the idea of a lover but a real one on this same level rather than me writing about one. For a fleeting moment then I thought about writing another level below me with instructions to write yet another level with the same instructions and so on all the way down a bit like God Over Djinn. I had no idea what that meant when I wrote it but the news has come down to say that it is a Recursive Acronym create by BRAM - BRAM Recursive Acronym Man who is the cleverest of all of us and lives on dog food. he is my PAL ... my NTSC ... my video tech ... my guitar tech. I am the owner of that beautiful guitar that Rogier was talking about all those days ago. The guitar that I sleep with, that Evie envies now she knows about it because Rogier tells he how wonderful it is. She covets my guitar without having ever seen in because in telling me what it looks like Rogier has told her as well. She knows everything that I know and more and Rogier knows all that and more. I was supposed to be talking about proper things, like that lovely,lonely wood with the gentle rain, the wood that has been the same since the Romans were here and was described by Virginia Woolfe in the saddest and most evocative terms. I sit at the window on many days, looking out over land that I know every inch of, what is the most beautiful landscape in the world of all that I know and yet I dismiss because it is familiar and only the new is cool at this age. because of course you are talking to me at all my ages - from when I was a baby, through being a little girl and up to being independent and working hard at academia. I write poems because Rogier thinks that is what I should do but I know that poetry is weedy - music is the thing - words to full-throated, raucous guitar and iatrogenic phobias created by the unfamiliar, the loud music and the bright, flashing lights. That fractal is a bright light - a defined mess of chaos, created by a few lines of code -



.. that's it - all that light and colour from just that little set of arithmetic and not a square root in sight - that's what sped it up. What do you think Evie?

I'm not sure. You tell me that you only understand what I tell you to understand and that all my knowledge comes from someone else who "writes" my thoughts? I know nothing of the fractals of which you speak. It seems like perfectly normal paranoia to me. The funny colours and patterns that came just before I started to write are nothing that I know about. And as far as I am concerned you are a real person to whom I am talking - like that? I'm trying to write longer and more rational sentences because you told me that you like them. Or did you - I'm not sure I heard you say that but the thought exists in my head and the only person I have heard since I handed over is you. If I am being written by someone else then they are not in my head but then again they wouldn't be in my head - I would be in theirs wouldn't I? I am tempted to try and imagine all these other people out of existence. For instance I seem to be talking to you Mary but you are not responding probably because the interface between us is an occasional one, a stack I suppose. I know a stack can be defined to hold any amount of data in each element but that is not how they usually work - they define a state and the state at the moment is that I am thinking - one level down from your idea of the main, controlling intelligence. Still is it not possible that Rogier as you call him has his own controller and possibly more levels above that? The upshot I suppose is that somewhere the original intelligence is defined but doesn't this suggest an abnormal level of complication? On another note, I am trying to keep the punctuation and spelling working correctly. I seem to remember that sometimes all this breaks down and makes some of the things that I say - or get said at least - into gibberish of the highest order. I cannot pop because there is no one to pop to so today your sign of is from Evie who really does it exist - it's true.

Tuesday, December 23, 2008

Raskolnikov Did It!

I can't think why but there seems to be a lot of religion in the news at the moment. The normal Christmas message of Peace and Love seems to have been shoved aside for this strangely-timed assertion that homosexuality is some sort of danger to the world; it is up there with the destruction of the Rain forests apparently. I suspect that there are still just enough people "doing it properly" to keep the world overpopulated. The sad thing is that just one person persuaded on the strength of this to beat up someone who does not quite conform is one too many. Is it too strong to say that this speech has condemned someone to die? Way to go. Homosexuality and Shellfish are both "abominations" in the Bible - which one does the Church go with these days?

Back in the real world we also have this poll regarding Creationism being taught in science lessons. All very well if you just want to mention it in context alongside the proper lesson but to actually teach it with proper text books is plain stupid. I cannot see a solution to this at all. I content myself with the probability that humans will evolve into two separate species - one called Homo Sapiens Rationalis (excuse what is obviously v.poor Latin) and another called Homo Sapiens Deludiensis. I realise of course that Sapiens means wise and therefore is not quite apt but hey - there will be a common ancestor. There is too much accommodation of obviously-ludicrous points of view simply to avoid offending anyone. The fact that the average moral standpoint has moved over the centuries since all major religions started, seems to suggest that this is independent of the religions which were once the arbiters of good and evil. Religion follows what is right because if it didn't it would fail - people would forsake it. All the conflicts between religions are I suppose simply disagreements over right and wrong. You can decide without any intervention from any religious standpoint what you feel is right and wrong - you can decide this based on your upbringing and what makes you unhappy - from fingernails being scraped down a blackboard to the horror at the most unspeakable acts of terrorism. You know what is wrong - enlightenment is the gradual consensus of human beings over what is the best way to behave. Unfortunately, the human mind is so complex and when multiplied by the seven billion of us on the planet, there is never going to be agreement. There will be no solutions, just more demonstrations and more taking up of arms simply because one group of people have convinced enough other people that their way of opening eggs is the correct one. That might sound glib but a great many of the causes for which people are prepared to die are just as ludicrous as the big/little-endian disagreement.

I've just realised that this entry is just one big truism - everyone who could be bothered to get past the first paragraph will probably already know this and give up reading, unless of course they are some sort of zealot looking for targets.

Och a vay.

Sunday, December 21, 2008

Winter Solstice Walk



Daughter and I have just walked 3-odd Kilometres along the Another Place beach and it was beautiful. The only negative thing was that my ice cream kept getting blown inland 


At some point we were the only people amongst the statues which I think is the main point of the real meaning of the whole installation though the fun that is to be had with the individual Iron men is also quite a large part of the whole thing. They sink into the sand, they rise up out of the sand as the whole beach shifts. The statues have already shown that the whole beach is always moving in a gradual migration of tons of sand. There are painted statues, dressed statues and statues used as props in Nativity Plays. There is also a photography competition based around the statues. Daughter is determined to beat me.

Too Much Time



Saturday, December 20, 2008

Yule Blog

I cannot show you page 7 because it has an image which The Old Shark Pickler might not like. Actually I'm not sure he'd be bothered with me though I am equally not sure what the status of collages such as mine actually is. The only known fact about them is that they are v. poor and therefore not likely to sell for anything at all. Credit crunch has hit deWeyden towers in that I have stopped buying any magazine from which I cannot extract pictures (Private Eye excepted of course). Actually I'm not sure why I think that it is the Credit Crunch (which must be the most meaningless phrase since Weapons of Mass Destruction) that is slowing expenditure because I don't feel that our outgoings are any worse or better than they were - but then again I haven't gone through income and expenditure to see one way or the other. We're not bathing in sponduliks but neither are we brassic. And now before I descend fully into the language of my forefathers from The Smoke up West (Willesdsn to be exact) I'd better finish.

Fezzy Friday



Friday, December 19, 2008

Field Recordings



I have so many CDs in storage despite the fact that I have 20 odd megs worth of stuff in Digital format. There are many things I want to listen to again, the most painful of which is the long version of Jenny Ondioline by Stereolab. However, in amongst the rest are such naffness as Unlimited Orchestra by Human League and some really uncool modern jazz. I have forgotten most of it so uncovering the boxes will result in many oohs and aahs. Watch this space - again - and again etc. Having to be satisfied with listening to Peng! again which is rhythmic enough to keep me going for now. Currently the song is Stomach Worm ... which is nice.

We were discussing maths this morning as one of us has a degree in it (and is mentioned in some of the manuals he actually has to read). We got back on to why zero factorial is 1 rather than zero. The short answer is if it isn't then a lot of things break down and the long answer is far too long to go into here apparently - I looked at a few web pages but they started my narcolepsy off again so I stopped. Am I strange in that I quite relish the idea of doing some mathematically related stuff over the Christmas week?

Finally spotted the gr'ocers apostrophe.

Thursday, December 18, 2008

Cognitive Dissonance or Extreme Semiotics



... which is a bit like Extreme Ironing though I always feel that it should be Extreme Irony. Maybe they do courses - we could send Alanis Morisette on one though I am sure she would still just not get it.

For various reasons I am looking at code which is 20 years old at the moment. I'm not sure I could actually compile any of it but I might be able to support it if required. I'm trying to think if any of my code from 20 years ago is still being used. There maybe some routines in use but not in their original form. An Algorithm perhaps but not an actual executable. Now there is plenty of my stuff from 10 years ago still in place. I know this because I got contacted about the password for some VBA code only a few weeks ago.

I don't seem to write as much here as I used to. I was going to say with the depth I used to but that would be claiming more profundity than is obvious in past posts. I'm not really reading anything with great depth either - just collections of weird statistics that are easy to take in and easy to put down. I do have Bill Bryson's Shakespeare in the pile to start. I've almost bought this so many times thinking it would never be free at the library and then last week there it was on the shelves. I do have the Christmas books to look forward to as well, along with other things of high import. News in the New Year or maybe before.

I've put on Drumming again, hoping that it might spark some deep thoughts but I expect it will just mean I sit here for half an hour staring into the beautiful winter skies and thinking of Wassailing (whatever that is) and stuff. I associate various pieces of music with various places and times and usually I can see that this is simply because of the first time I heard the piece but with the early part of the second track of Drumming all I can see is the street outside the first house I can remember, during a particularly bad winter in the late sixties when the snow was banked up higher than I was. The dancing ideas in my head have revealed why this is. I first listened to the music while reading Bitter Fame so the association is actually with the bad winter of 1963 and Sylvia Plath's suicide but this links with my own, few memories of the same decade. Sadly I do not have this down as a sad memory because I like the muffled stillness of the snowy day with no one else about and all distant sound brought to nothing. None of this matches what must have been the reality of February 1963. It's not actually snowed here but it feels like it should. The run down to Christmas gives everything a strange slowed atmosphere anyway, which matches the wordless singing and beautiful marimba of the music very nicely.

I thought I'd use the word 'nicely' just to be awkward. I am trying to follow Orwell's rules for writing but as you are probably used to seeing almost all of my phrases in other writing, I am failing badly. Drumming will drive you mad by the way. Don't ever listen to it. Somewhere in here there is some code for something but I don't know what it is so I can't give you any clues.

Wednesday, December 17, 2008

Inside kenneth Branagh's Head



Dream Logs

Not much detail to this one. I was with a group of people who were making some very simple music. The only instrument I can recall is a small box about the length of a shoe box but slightly narrower which had strings on it like a guitar. I was told that it was used by Norah Jones on her last album and only cost £17. Reminds me of the time I wanted a Pocket Theremin; I never actually got to see one but I really wanted one. Now of course you can get PC ones for free. Anyway, no analysis about this really unless it might be a tenuous link about not being able to get a baby Sitar. I thank you.

Very taken with Wallander. Sunday's episode had an up-down atmosphere that seemed to match Wallander's mood exactly though I suppose the plot was as ludicrous as any of the genre.

Sunday, December 14, 2008

Taken on a Wooden Table


Front Cover


Inside Front Cover 7/12/2008


Page 3 16/11/2008


Page 4 14/12/2008


Page 5 14/12/2008

Friday, December 12, 2008

Scintillaphobes Unite



Accidere ex una scintilla incendia passim

The sky here at the moment is exactly like that at the start of The Snowman, which has already been watched in our house this season. Christmas doesn't really start until we have broken out The Muppet Christmas Carol. Light the Lamp not the rat!

I'm not sure that this story of a machine to map dreams is anything like it suggests. It would of course be nice to have a machine which would document dreams in a manner more efficient than the scribbled notebooks I have and it is a long time since I was consistent in my notes; I would say that I only record about 1 in 20 dreams. This is disappointing as I have many memories of interesting things. What I can do is list the various recurring themes.

- Regression of time back to when I was doing the exams for my degree.

This is always uncomfortable but actually makes me feel happier on waking when it turns out to be just a dream. Possibly links every worry with the stress of exams. Actually I don't think I worry about this when I am dreaming, just for the few seconds when I wake up and before I realise that it is just a dream. I do recall one specific dream set in some dome-like lecture science lab, all wood panelling and models of complicated molecules. Didn't have walls (see below) but I could still tell it was round and dome-like.

- Being in buildings without walls or ceilings I've not actually seen Dogville but I know that it is performed on a minimalist set with just door frames. I did get the impression that there was actually some special effect in my dreams suggesting the walls, which chimes with my dreams. I rarely get an impression of being enclosed in buildings when I am dreaming, though I do sometimes have to squeeze through small gaps which I always take as a worry about putting on weight.

- Giles annuals. As you might know, I have a copy of every Giles Annual (though of course some of them are just facsimiles). It was a major milestone to get the last one to have one for each of 50 years. My dreams about them involve finding out that there are other, special annuals out there which I have to acquire to maintain my collection. These specials are very poor when compared to the true 50 - they have random collections of characters and no punchlines. I imagine that this is something to do with completing things. It may be about letting simple things go in life or it may be about my habit of dumping books in the middle of reading them.

- Being let loose in some sort of shop where I am looking for a decent model kit to build. I never actually buy anything which may be related to the above feeling on non-completion.

- Trying to find a library in some weirdly-shaped shopping area. Never actually read anything.

- A general, dream-like version of Malvern Link where I grew up. All of the shops in the various other themes are often to be found here but they change location and design with each dream. This has another link to the Giles Annuals in that the Giles Family (Grandma etc) live in a different house for each cartoon they feature in. They would change class and wealth as well.

I am sure there are many more hangups in there (or should I say here) but I cannot tease out any themes at the moment.


Thursday, December 11, 2008

A Man Who Knows His Stuff




There aren't half some clever bastards out there. Busy with an install so that's your lot for today. Ocha Vay!

Tuesday, December 09, 2008

Proof



One of these is your humble narrator - we liked our Nativity Plays traditional in those days. It's probably Christmas 1968 but I'm not entirely sure. Boiled sweet to anyone who guesses which is me. We do seem to have relocated the action to the Kremlin looking at the scenery on the right. Maybe the teacher was making a political point or even trying to pass messages on to her sleeper cell commander back in the USSR.


On Noggin and Other Things


And when Mr Postgate went to sleep, all of his friends went to sleep too.

But everyone loved him.

Bye bye.


(From Hooplah on the comments to the Guardian article)


So sad to hear about Oliver Postgate. (A personal milestone reached as well because I think it is the first death of someone I have corresponded with via email). As well as all the usual memories of brilliant TV that people of my age have, there is the personal link in that my aunt was at school with him. I was intrigued to see that Professor Yaffle's voice was inspired by a meeting that Postgate had with Bertrand Russell as I am reasonably sure (weasel words wobert) that my aunt was at the same meeting. My first memory of Postgate/Firmin was Pogle's Wood which had a lovely small-is-beautiful feeling - a smoky Autumn atmosphere, small vilage life. As with all Postgate films, the strength is the feeling, the atmosphere conjured by the warm voice-over and the absoulutely-appropriate music. It encourages children to have a whole-picture view rather than a piecemeal affection for visual gymnastics. There will be no return to such TV, despite the view that current financial issues will make us all nicer people. TV these days has been genericised in such a way that you can create a whole animated series by drag-and-drop and application of style similar to the way that crosswords have been standardised and are defined by grid number and clue number from some anonymous database (probably Microsoft Access). Art is not about this and you could add this argument to the debate about what art actually is. Something can have the outward appearance of art and yet be just a machine-created collection of pixels. Art is the input of ideas and effort and this comes through the media in the same way that the warmth of a vinyl record maintains more of the emotion than a pure digital-to-digital transformation. The death of Oliver Postgate is a significant loss to emotional art and will hopefully add something to the debate about how Kids' TV these days is just about filling up the gaps between the adverts.


Saturday, December 06, 2008

The Steve Reich Simulator 2008



Finally found a way of uploading the tracks from the SRS. It's probably very inefficient but who cares.

Everyone Round to Ben Wishaw's Place



Prepare to be disgusted and intrigued all at once. The debate in our house at present is whether Ambergris is actually Whale Vomit or Whale Poo. Wikipedia as you can see implies that Ambergris is produced "Against the normal flow of digestion" but Cousteau's definitive and eponymous book,while saying that this is a possibility, seems to remain defiantly ambiguous, mentioning that caught whales often yielded the waxy substance from the lower intestine. As the substance is technically edible and practically important in expensive perfume, I think we need a definitive study on the subject. Woods Hole has been informed.

Friday, December 05, 2008

Starglider and Thomas Aquinas Have Left the Building

I have been at the same piece of code for a week and it is beginning to seep into my dreams. Dreaming in code is a bad thing to do. Whereby in real life, it is obvious that the solution will appear at some time, in dreams, the code you have already written dances around itself to flummox any possible fixes you might put in. I've nominally started reading Rudy Rucker's book on the Fourth Dimension (and of course how to get there) and this has a description of the world dancing around the intellectually-visible fourth dimension which reminds me of the code in my head.

I haven't actually read up to that bit in the book because I am actually reading Postcards From the Edge by Carrie Fisher. This was a gash pick from the single rack of Alternative fiction that Waterstones used to have in the late eighties. I read it in one go, absolutely drawn into what seemed to me then a difficult and dangerous world and now just seems normal for a lot of people. It is obviously a book about experience wrapped up in fiction - sort of like The Bridge Across Forever with teeth and balls and cocaine (and without a naff title). The first section consists of daily entries by Suzanne Vale, a moderately successful actress who is detoxing in an LA clinic. At some point these entries become interspersed with what appear to be interior monologues by an erstwhile writer called Alex who goes spectacularly off the rails. I read the first part of Alex's pieces early in the week and then more after watching That Mitchell and Webb Look. Ever since then Alex has spoken in the random tone of Robert Webb's literary agent/publisher. It is beginning to get distracting. I have to play Numberwang to get him out of my head.

Tuesday, December 02, 2008

Bridge Conversations

Soft rain on the window is all that breaks the silence - maybe some shallow breathing is audible to others but my damaged ears do not pick it up. The day started out bright and dry but the darkening sky drove us indoors to this quiet place, a place with no need for activity to fill it and we lie, just thinking. I have no need of it but I have hidden my face under the gauzy sheet to block out the harsh light of the room and this makes all I see ghostly and white, blurred into some sort of distant idea of the room. The window is the brightest thing, the dark grey contrast of a violent sky turned to gentle undulations, further distorted by the rolling of raindrops down the glass. The room smells clean, not feminine or masculine - just of neutral and natural chemicals. I speculate about how this is the most comfortable I have felt this summer; all the various nervous thoughts about the future or the present of place retreating to regions of the earth where they are more rational.

This morning we were sitting on the parapet of the railway bridge out by the radar station. The rolling countryside with its child's idea of England, all trees and steam trains, is punctured by these strange, weathered golf balls - the fibre-glass shields to the spinning domes inside them. From here, the motors that drive the invisible electronic ears can be heard whirring, the gears grating, all this mixed in with the sound of birds and a distant hum of traffic from some hidden A Road. Our bikes lean up against the wall where the lichen grows and sometimes we find lizards basking. We have no reason to be here other than the excitement of our proximity to military things though we know from Mary's parents that the soldiers here are simply to assist the civilian scientists. For every stiff-backed uniform at the gates or marching between huts, there are many others who treat this station like a normal office, a place for a desk and a pad - for ideas and for searches out to the horizon. They won the war here or at least part of it. This time-locked piece of history was missed by the Luftwaffe, never gave away its importance as the early radar span under camouflage netting and tested itself on low-flying aircraft. And people would complain about the deep drone of merlins that kept them awake. But of course it was "our boys" out there, up in the air risking their lives for the rest of us and so dissent was stifled and the secret kept - no careless talk here, no confidences leaking out in drink - just a distant buzz of EMF and now we can see in the dark. That is the secret.

Conversations on the bridge.

How secret is this place? I mean what are we supposed to not know about it that we cannot work out from being up here? There is nothing we cannot find out - it can't be that secret though I would hope the drawers and doors are at least kept locked and guarded by those grunts. They look more than your average soldier to me - a bit more polished, like they were all officers. No way! That one has a forage cap - can't be an officer dressed like that. Ok - a bit more educated than your average Marine. My Grandad was a Marine - in the war and everything, doesn't like to talk about it but then again I'm only a girl - it's really the sort of thing you use to bond with Grandsons. Why don't you ask him? You're boyish enough. Thanks for that!

(....long silence .... boy speaks and girl smiles again. Girl is eyeing up young soldiers at the gate though she does not want to appear uncool enough to wave at them.)

One of them could hit us up here with his rifle. Why would he want to? I hope he wouldn't - I'm just saying he could if he thought you were a spy or something. Do I look like one at all? Maybe with a Soviet hat but then again why would a spy wear a Soviet hat - would be a bit silly I suppose. You're rabbiting now. I know - just tell me to stop but don't think I've forgotten the crack about being boyish. Come on - you have boots on ... and trousers. I have long hair. That means nothing does it? S'pose not. Why do we spend so much time trying to look good when deep down everyone knows that very few of us have anything but pointless rubbish floating around in our heads? I like looking like this - I hate school uniform even if I am wussy enough not to bother rebelling, but the teachers all know what we think like inside 'cos half of them are only a few years older than we are. What is the point of this? (silence for a few moments) Answer please ... anytime soon. Dunno really. But you knew I was going to say this. There is no reason for us being here despite what the vicar says - though sometimes I'm not sure about him actually believing any of it. I read a book the other day - well part of it anyway - one of Mum's books from the sixties. There was a chapter about how so many Catholic priests don't believe and just keep going through the motions to keep their jobs. If that's Catholics then how many of your side are like that? My side? Which side are you on? The vicar thinks you are one of his. I'm in the middle, a neutral observer of boys' games. You never are! I don't believe any of it. That doesn't mean you are neutral - that means you are at an extreme. It's not extremity, I'm not amoral or immoral or whatever it is - I'm not an anarchist or anything. Not sure that has anything to do with it - you are at the extreme end of belief it that's actually how you feel - the vicar, or one that believes wholeheartedly in all that he preaches, is at the opposite end. That's rubbish - anywway I am right and you are wrong. I didn't say I believed any different from you. But you do though don't you? There are still fairies at the bottom of your garden and a core of rightness in the prayers you hear every sunday. Maybe (low voice - staring at my feet). More than maybe you liar. Not sure anymore anyway you haven't actually said anything about why you are right in your lack of belief. That's because I just know. It is my faith like a true believer has his faith to convince himself that what he thinks is true - none of it constitutes proof but I'll admit that none of it constitutes lack of proof - I just choose to believe in the simplest explanation. So that is that we came from nothing and go back to nothing right? Yes and the Vicar even says it doesn't he when he buries someone - don't remember the exact words but he says something about from dust and to dust - seemingly an admission don't you think? That only means the body - there is the soul as well. Prove it! I can't! You prove it isn't so. I can't either!

Is this an argument or a discussion?

Both of us smile and see together that the sky is darkening in the distance. Without speaking we are both calculating when we need to leave to get home before the rain and we both stand up at the same time. Mary waves to the guards at the gate and smiles when one waves back. We cycle home in indian file - the roads are narrow - but we see not one car. We pass an old tinker sitting outside his tent on a verge under some trees. We stare as we go by and he stares back but we do not speak to him. He carries on with his mending and the parish is silent again. We are back by the church. Some of the other local kids are hanging round in the porch maye waiting to shelter from the rain as we do occsasionally. We wave and they wave back but still no one speaks.

And now the rain is heavy, blurring the outside as it washes the window and splashes up from the ground to make a plimsoll line of mud round the house. We lie not quite asleep, untroubled, forming our beliefs, each taking on the other's ideas.